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promising is the soundtrack for Max Payne 3 points to a future in which gangs use the scores of the game as a way to create new?

While Max Payne 3 has its detractors (and we are not among them), there is one thing most players agree on the slab on the latest in interactive chaos nervous Rockstar: Music is impressive. During several months of intense sessions, the sound of punk U.S. health Traders saw about six hours of new material for scoring, making it sound just as exciting and shabby that the action of the screen.

The collaboration combines well that's just a novelty at a time - it could refer both to the future of music playing and a whole new creative path for musicians . In the past, the construction of a game soundtrack was usually all about licensing of selected charts, or payment of a composer to beat a score of conductor-robot.

But now we are entering an era of close cooperation, game developers use the musicians who love the games and understand. And in return, the music becomes part of the design process.

"We like working with groups and musicians that are not strictly composers," says Ivan Pavlovich, the supervisor of the soundtrack Rockstar. "They bring a different perspective and I think we can learn from each other. I was a fan of the soundtrack for a long time, but I feel like all men he was bored.

"You had these composers sit at their studies with the software orchestra ... it started to bleed together. I can not tell the difference between film and game sound. To Me , Health has taken the concept of the score and gave him six shots to the ribs important. It's very exciting. "

The main challenge for the musicians to understand and exploit the nonlinear nature of the game music unlike film music, audio must be able to respond in real time for player movement, so it is usually cut into separate tracks instrumental and stems, which are combined automatically during playback to match the onscreen action.

In Max Payne 3, guitar Health comments and distorted drums beating rise to wild crescendos as soon as any shooting begins, as a bloody post-punk opera.

"Everything has a loop indefinitely," says bassist and resident player, John Famiglietti. "We had everything to do video captures of gameplay - everything we do we put against images and said, this working group is there any sense

"We were inspired by the mood of each level, and where the story went. And we learned a lot from this situation. We had to make music so much! Our sound is based on towers, effects and anything unusual that we find, and discovered much more, while making this game "

Rockstar is not alone in providing the soundtrack for an entire artist, who really understand and interpret the action. Halo 4, 343 Industries Development calls the largest producer of Massive Attack and composer of film music Neil Davidge to rethink the game of strip of coral distinctive.

"As a fan of the game, I did not revolutionize the sound of Halo, I wanted to move forward, to take him to places he had never been before," he said . "I have a

lot

treatment devices in my studio - to dig through huge libraries of sounds and organic raw processing, recording the process again - I did this for many years with Massive Attack, but the experience was incredible, it's incredibly inspiring. "

As Max Payne 3, it was all about using music as an accompaniment to the story, but as a narrative device itself.

"With a soundtrack of music that can point at specific times, the way a person looks away, a change in his eyes," said Davidge. "It would also ensure that the subtext of what is said - the hidden agenda

With a game, because there are a lot of hunting around, lots of action, it is often difficult to relate different aspects of the plot together, music can play an important role in helping the reader to understand the way that you also feel that the trip, if history is maintained and less disjointed. It is not only to record video clips between each mission, music

the background, illustrates the emotional context of the scene. "

And apparently the Halo 4 result was so effective at the end of the power in the process of game design. As Davidge explains: "The creative director Josh Holmes, said he had a particular vision of a scene, but listening to the music he has found a different picture was created for him, helped him to expand, emotional

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