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Playwright

that blends a mixture of bizarre comic characters and absurd situations suburban

playwright NF Simpson

, who died aged 92, was critically acclaimed Kenneth Tynan in 1958 as "the most talented comic writer of English now been discovered since the war." It was generally identified with the Theatre of the Absurd movement with Eugene Ionesco, Adamov Arthur, Samuel Beckett and Harold Pinter. However, Simpson was particularly and peculiarly English in the absurd. He turned suburban character, in their strange language and charlatans in the logic of cutting very imaginative, and mixed the most recognizable in the world mixes cartoon comes from Lewis Carroll, WAS Gilbert and thugs, not the edge that comes with childish Monty Python.

His first exhibit was a loud ringing (1957), which in its original form in two acts, won third prize in a playwriting contest organized by the Observer and Tynan was produced as a Sunday night "undecorated" Production at the Royal Court. A thesis on the critical free-wheeling action comedy and comedians, interspersed with a "game", was - according to its director, William Gaskill - imaginative and witty, but it's hard. In part, at the suggestion of Gaskill, Simpson reduced to a single character of text, as it focused on the comedy of a couple who found an elephant in the garden different from that requested. Gaskill led Simpson with another short play, The Hole, in which a group of people standing around a hole in the ground and try to impose their own fantastic vision of what is going on there for each other .

the cast of this bill in 1958 included dual Wendy Craig, Nigel Davenport, Sheila Ballantine, and Robert Stephens. It was a great success, showing that Simpson Tynan was not "flash in the pen, but a true master of the language, able to use the words with the authority sublime, outrageous Humpty Dumpty."

an extraordinary impact was completed in 1959, when Peter Cook - who was due in large part from his eyes bulging, monologist Waterproof Wisty The Simpsons - appeared at Cambridge in a rematch of students in two acts A resounding tinkle, directed by John Bird. Also this year, next big play Gaskill led Simpson, probably his best, one way pendulum at the Royal Court. This new work has been described by the author as "a night of high slarrit Drung" who, "with its high towers and roofs of its articles, you must have a special appeal to anyone who comes in first with a bow." A character in the game of beads worn around his waist "tension."

Despite a 1964 film captured something of the anarchic madness of working with Eric Sykes build a model of Old Bailey, in his living room, while Jonathan Miller taught the dumb speak -100 to devices Strength to sing the Alleluia, the game was too theatrical for the film. Play the hilarity of the binding of a game nightmare of three players of whist for two players with more cards in the dark?

Simpson arrived at the Royal Court who have no experience in theater, but he said Gaskill, like many good writers he knew exactly how the actors deliver the lines and where you must pause for laughter that is entered into the performance.

Norman Frederick Simpson Simpson Speed ??is only comparable to that of its disappearance. After writing scripts for radio and a number of television sets, and contributing to various magazines in the West End, in collaboration with Cook, Pinter, John Mortimer and Kenneth Williams, who has suddenly stopped producing the work in 1983 and spent the next 12 years to visit the canals of England on a barge. "It was the happiest moment of my life," said the journalist Stephen Pile, who followed him to a house atop a cliff at the edge of a village in Cornwall in 2007 after the Royal Court held reading - to celebrate the 50th anniversary of the theater -. long-term in a resounding tinkle

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