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Chisenhale Dance Space, O2 Arena, Linbury Theatre, Royal Opera House in London, all

Off-radar

and without funding, Chisenhale Dance Space is the closest London has to an underground dance scene. According to the curator Bryony Kimming and performance artist best known for his solo work fool sex (on the capture of chlamydia), space is at home " experimental, courageous, funny, inventive work again, weird and fucked-". It is as good as any description of the Oh So Totally Rad who still wonders if the dance can be radical at a time when the offender is just one choice for the consumer.

Diaghilev on the beach , former ballet dancer from Boston, Joseph Mercier presents a new version of Nijinsky

Prelude to "AA > The Afternoon of a Faun

created in Debussy's score. Mercier room next to the heated swimming pool, where two drinking cocktails, harem panted Nefertiti (Sarah Clarke Cattrall and Natalie) free rein to his slaves (Mercier), which is disguised in the reports of gold and a dog collar precious stones. As oils Clarke languidly her breasts, Mercier Cattrall is from time to time which allowed him to lick her feet, and, alternately caressing and slapping. 1912 Nijinsky game ends with wildlife shudder to orgasm over a stolen handkerchief of a nymph, and a century later, the reaction Mercier references of criticism ("dirty beast," according to Le Figaro ) for a lubricated butt plug Cattrall connected to an animal glue with precious stones, and inserted into the rectum offered his slave. This is an amazing time, and even among the Breathing very-cool-for-school crowd repeatedly consumer Chisenhale calm. However, the play works. It perfectly reproduces the original timeless languor, which coincides in the provocation, and in the case of Mercier, the most abject of Wildlife and the

Slave gold Scheherazade

(another Diaghilev ballet sex), the reverberant field questions the dominant-submissive relationship of the artist and the public.

more abject almost

when Andrew Graham is displayed with a pink dress mid-thigh, and Sketches of Miles Davis 'Flamenco' comes to your face in a video camera. The discovery of an old leather jacket (which was a lover?), Begins to worship. But soon acquires a life of its own, strangled and violently grabbing his red underwear flying. Soon, in a tribute to the film by Michael Powell face
, choreographer appears as Elizabeth I, a terrible creature makeup and depraved who sings in a counter tenor voice. As the strains of Purcell are replaced by the wave Patriotic Parry "Jerusalem", the Elizabethan costumes are stripped to reveal a band of English football, with splashes of blood that form the cross of St. George. Century 16 is a recurring theme. T-Nicolas McArthur dancing plague of 1518

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